This project presents a reimagined Cyprus without borders, buffer zones, and army bases, where propaganda has impacted relations between Greek Cypriots and Turkish Cypriots for decades. Located in the bi-communal village of Ayia Marina, my family’s ancestral home, the project envisions a transformed village where both communities peacefully coexist. Once an army base, the reimagined village now serves as a symbol of unity, attracting tourists and hosting bi-communal events such as conversations, music festivals, language classes, and cultural workshops.

By using this architectural language, I challenge the propaganda narratives established in my upbringing as a first-generation Greek Cypriot. By looking at part of this propaganda image in an alternative way, I aim to reframe their original meaning, demonstrating how symbols of war can be repurposed for peace. The use of a ‘toy-style’ design further critiques the divisive status quo, symbolising the absurdity of hostility imposed by society and education. The project is using slogans that have a facade of innocence and normality, a way of propaganda used by both communities. 

Incorporating items like the Barbie doll into the design serves to highlight the unrealistic ideals presented by propaganda. The design concept confronts uncomfortable truths surrounding the buffer zone, juxtaposing the polished toy world with the harsh realities of conflict. The portfolio is blending various aspects of the complex history of Cyprus with this distinct world to create surreal images.

Ultimately, my project aims to spark reflection and inspire hope for a future where communities like Ayia Marina can coexist in harmony, free from the constraints of propaganda and division.